Download Mandala (2013) for voice, guitar, celletto and electronics
Celletto: Chris Chafe Guitar, percussion and sound localization: Jay Kadis Vocal and electronics composition: Cecilia Wu Graphics: Francois Conti Performance at the Bing Concert Hall, Stanford. February 15, the program note: The word "Mandala" comes from Sanskrit, meaning "circle." It represents wholeness, and can be seen as a model for the organizational structure of life itself. In Tibet, as part of a spiritual practice, monks create mandalas with colored sand. The creation of a sand mandala may require days or weeks to complete. When ﬁnished, the monks gather in a colorful ceremony, chanting in deep tones (Tibetan throat singing) as they sweep their Mandala sand spirally back into nature. This symbolizes the impermanence of life and the world. As part of a multimedia composition created at Center for Computer Research in Music and Acoustics (CCRMA) at Stanford University, an interactive display of virtual sand Mandala was choreographed with musical improvised performance. 24 surrounding speakers are manipulated for localization of different sound sources. Graphic and dynamic modeling framework Chai3D was implemented to simulate the physical interaction between the captured hand motions of the vocalist and the small mass particles composing the virtual sand Mandala. Near the end of the musical piece, the vocalist initiates the destruction of the Mandala and brings everything back to the start. The backbone of the piece is made of loops and samples in Logic Pro with outputs and live guitar processor inputs routed through a Mark of the Unicorn 828mkII interface for 10 channels of spatialized output. Live and recorded guitar sounds are generated by a Fractal Audio AxeFX Ultra processor.
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